The Analysis of The Id, Ego, and Superego in The Main Character of Raya and The Last Dragon Movie
Kata Kunci:
Psychoanalysis, Sigmund Freud, Id, Ego, Superego Approach.Abstrak
The title of this research is "The Analysis of Id, Ego, and Superego in the Main Character of Raya and the Last Dragon Movie" directed by Don Hall and Carlos Lopez Estrada (2021) with a duration of 107 minutes and a screenplay written by Qui Nguyen and Adele Lim. The aim of this research is to discuss the intrinsic and extrinsic aspects of this movie. The focus of this research is on the Id, Ego, and Superego of the three main characters, Raya, Sisu, and Namaari. The writer uses a psychoanalytic approach by employing Sigmund Freud's theory of the Id, Ego, and Superego. From this research, it can be concluded that by using the concepts of Id, Ego, and Superego, a deeper understanding is obtained regarding the character development and internal conflicts experienced by the main characters in the movie. The movie successfully conveys the message of the importance of unity, restoration, and trust, as well as the growth and development of these characters in facing emotional impulses, realities, and moral values presented in the story.
Referensi
Bressler, E. Charles. 1994. Literary Criticism: An Introduction to Theory and Practice, Second Edition. Prentice-Hall, Inc.
Brooks, Peter. 2014. Psychoanalytic Literary Criticism. London: Routledge.
Divyani, K.., et al. 2023. Exploring Characterization of the Main Character in Raya and the Last Dragon Movie. Indonesia: Elysian Journal.
Eagleton, T. 1983. Literary Theory: An Introduction. Oxford: Blackwell Publishers.
Erikson, Erik H. 1950. Childhood and Society. New York: W.W. Norton & Company.
Freud, Sigmund. 1923. The Ego and the Id. London: Hogarth Press.
Holland, Norman N. 1985. Psychoanalysis and Shakespeare. New York: Octagon Brooks.
Kenney, William. 1966. How to Analyze Fiction. USA: Monarch Press.
Khoirunnisa, IA and Saptanto,DD. 2022. Love, Life and Death, and Rebellion in Justin Louise Baldoni’s Five Feet Apart Movie (Psychological Literature Approach). Indoneisa: Online.
Klaler, M. 2005. An Introduction to Literary Studies. London: Routledge.
Long, E. 1964. The Art of Literature: A Comprehensive Guide. New York: Random House.
McWilliams, Nancy. 1994. Psychoanalytic Diagnosis: Understanding Personality Structure in the Clinical Process. New York: Guilford Press.
Nugroho, A. 1998. Analisis Film: Panduan Teori dan Praktik. Jakarta: Penerbit Film Iindonesia.
Putri, Fadhlika P. 2021. An Analysis of the Main Characters’ Personality in Aladdin Movie. Indonesia: repo.uinsatu.ac.id
Robert, Edgar V. 2003. Writing about Literature: Tenth Edition. New Jersey: Prentice Hall Veper Saddle.
Saptanto, DD and Dewi, MK. 2020. Gundala and Gatotkaca in the Concept of Modern Indonesian Superheroes: Comparative Analysis of the Indonesian and American Superheroes. Indonesia: EduLite.
Stam, R. 2000. Film Theory: An Introduction. Malden, MA: Blackwell Publishers.
Sudrazat, Riza A. 2016. Id, Ego, and Superego Represented by the Main Character of Fifty Shades of Grey Movie Christian Grey. Indonesia: eprints.undip.ac.id.
Susilowati, E. 2013. Psychological Structural Analysis to “A Child Called It” by Dave Pelzer. Indonesia: Register Journal.
Welleck, Rene and Warren, Austin. 1956. Theory of Literature. New York: Harcourt, Brave, and World Inc.
